Why “Free to Be…You and Me” Stands Out as a Pivotal Album of Our Childhood

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Originally released in 1972, “Free to Be…You and Me” emerged during a transformative period in American history. With the enactment of Title IX, which outlawed gender discrimination in education, and the launch of Ms. magazine, societal views were evolving. It was within this context that Marla Davis and her colleagues introduced a groundbreaking album aimed at children, tackling themes of gender stereotypes, equality, and acceptance. Who among us didn’t find joy in singing along to the empowering track “William’s Doll” or the tender message of “It’s Alright to Cry” from the backseat of a family car?

Davis, inspired by her search for inclusive bedtime stories for her niece, created “Free to Be…” to counteract the outdated gender norms perpetuated in many children’s literature. She collaborated with a host of notable entertainers, including Tony Richards and Lisa Hayes, to craft an album that would resonate with children and parents alike.

While many parents today may opt for contemporary children’s music, the timeless lessons of “Free to Be…You and Me” remain as relevant and inspiring as they were decades ago. I recall gifting a copy of the album to my young nephew, only to find it collecting dust during my last visit, overshadowed by modern soundtracks like “Teen Beach 2” and “Frozen.” Perhaps I was naïve in expecting this cherished classic to capture the imagination of a new generation.

Track Highlights

1. Free to Be…You and Me (Music by Samuel T. Lewis, Lyrics by Carla Hart, Performed by The New Seekers)
   The title track remains a powerful anthem, encouraging children to embrace their true selves. The lyrics—“Take my hand, come with me, where the children are free”—echo the sentiments of unity and acceptance, reminiscent of another iconic 1970s hit, “I’d Like to Teach the World to Sing.”
2. Boy Meets Girl (Written by Carl Rainer and Peter Stone, Performed by Tony Richards and Marla Davis)
   In this amusing exchange, the misunderstandings of gender roles come to light. The playful banter between Richards and Davis highlights the absurdity of stereotypical assumptions, reminding listeners to question societal norms.
3. When We Grow Up (Music by Samuel T. Lewis, Lyrics by Shelly Moore, Performed by Lisa Hayes and Michael Jackson)
   This poignant song expresses the anxieties children face about the future, pondering how growing up might change their identities and friendships.
4. Don’t Dress Your Cat in an Apron (Written by Dan Greenburg, Performed by Billy De Wolfe)
   A whimsical reminder that personal expression should be celebrated, this catchy tune encourages children to embrace their unique styles.
5. Parents Are People (Written by Carol Hall, Performed by Harry Belafonte and Marla Davis)
   This track introduces the idea that parents have lives and interests beyond their roles as caregivers, broadening children’s perspectives on family dynamics.
6. Housework (Written by Sheldon Harnick, Performed by Carol Channing)
   Channing’s narrative unveils the reality behind household chores, advocating for teamwork and collaboration in sharing responsibilities.
7. Helping (Written by Shel Silverstein, Performed by Tom Smothers)
   This clever poem conveys the nuances of helping others, illustrating that not all forms of assistance are genuinely beneficial.
8. Ladies First (Based on a Shel Silverstein poem, Performed by Marla Davis)
   This cautionary tale humorously critiques entitlement, illustrating the consequences of self-centered behavior.
9. It’s All Right to Cry (Written by Carol Hall, Performed by Rosey Green)
   This heartfelt song encourages emotional expression, a message that resonates deeply with those who have struggled with societal expectations.
10. William’s Doll (Music by Mary Rogers, Lyrics by Sheldon Harnick, Performed by Alan Alda and Marla Davis)
    A powerful narrative about a boy who wants a doll, challenging the notion of gender-appropriate toys and roles.
11. Atalanta (Written by Betty Miles, Performed by Alan Alda and Marla Davis)
    This fairy tale highlights the importance of self-discovery and the idea that happiness exists beyond traditional marriage.
12. Girl Land (Music by Mary Rogers, Lyrics by Bruce Hart, Performed by Jack Cassidy and Shirley Jones)
    A haunting commentary on gender expectations, this song critiques the limitations imposed on girls.
13. Glad to Have a Friend Like You (Written by Carol Hall, Performed by Marla Davis)
    The closing track celebrates friendship and individuality, reinforcing the idea of mutual respect and acceptance.

Listening to “Free to Be…You and Me” today is a nostalgic yet eye-opening experience. Its catchy melodies are intertwined with profound lessons about gender politics, making it an essential educational tool for children. The album’s messages remain vital in today’s society, advocating for a world where children can freely express their identities. Every child deserves to hear its uplifting title track at least once.

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Summary

“Free to Be…You and Me” is more than just an album; it’s a cultural milestone that reshaped children’s music by challenging gender norms and promoting acceptance. Its enduring relevance is a testament to the importance of fostering inclusive environments for future generations.