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As an older Millennial, I had high expectations for the “Space Jam” reboot. The original film holds a special place in pop culture history. Michael Jordan was the superstar athlete of the ’90s, and basketball was a major topic in my household, thanks to my sports-loving parents. Despite not being an avid fan, I even donned a Chicago Bulls Starter jacket during the winters. Like many kids, I aspired to be “like Mike,” and I could recite every commercial he starred in, from Hanes to Wheaties to McDonald’s. Michael Jordan was more than just a basketball player; he was a cultural icon.
As Sonequa Martin-Green, one of the film’s stars, shared during a Zoom interview, “That movie was everything. It’s near and dear to my heart.” And then there were the Looney Tunes. Saturday mornings were reserved for “The Bugs Bunny & Tweety Show,” and those cartoons were a significant part of my childhood. Teaming them up with Michael Jordan was a stroke of genius.
What I cherished about the original “Space Jam” was its over-the-top, campy fun. It embraced its absurdity without taking itself too seriously, which is essential when dealing with characters like the Looney Tunes. Unfortunately, that playful spirit felt somewhat lost in the reboot. “Space Jam: A New Legacy” seemed to take itself a bit too seriously, which diminished some of the enjoyment for me. While it does have its funny moments, if you’re hoping for that signature campy vibe, you might be left wanting.
Martin-Green noted, “It’s one thing to be the sequel of ‘Space Jam,’ but it’s another thing to bring it to this current day and age in such a compelling way.” Like its predecessor, “Space Jam: A New Legacy” pairs another major athlete, LeBron James, with the Looney Tunes to save them from a dire fate. The plot revolves around LeBron’s son being lured into the “Serververse” by Al-G Rhythm, portrayed by Don Cheadle. After finding himself in the reject pile, he meets Bugs Bunny, the last remaining inhabitant of Tune Town, and together they must play a critical basketball game to rescue both LeBron’s son and the Looney Tunes.
Don Cheadle shines as the villainous Al-G, showcasing a surprising comedic side that adds depth to his character. He poses an interesting question: “Is he really the villain, or is he just this misunderstood bon vivant of the Serververse?” This question reflects the film’s commentary on modern celebrity culture, where infamy can be as sought after as fame itself.
LeBron James, while primarily known as a basketball player, does well in his acting role, managing to hold his own alongside animated characters. Though it may not signal a shift to a full acting career, he brings a level of charm to his performance. Martin-Green praised him, saying, “He was so prepared… he brought that championship mindset, that leadership from the court to the set.”
One critique I have is the heavy-handedness of Warner Bros. inserting references to their extensive catalog. While these cameos from various franchises contributed to the plot, they often felt excessive and could have been dialed back for a more seamless experience.
My seven-year-old son, a huge fan of the original “Space Jam,” was initially hesitant about the sequel. After watching it, he surprisingly enjoyed it just as much as the first one, which is a testament to its appeal. He’s now trying to emulate LeBron’s moves, and Al-G has become his favorite antagonist.
If you’re expecting a direct sequel, “Space Jam: A New Legacy” might not meet that criteria. It stands as its own entity, with some nods to the original but is ultimately tailored for a new generation. Fans of the classic may find enjoyment in this fresh take, but the nostalgia of the ’90s won’t be fully captured here. For those who want to relive that magic, the original remains available for streaming.
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Summary:
“Space Jam: A New Legacy” is a reboot that diverges from the campy charm of the original film, offering a modern storyline centered around LeBron James and the Looney Tunes. While it introduces a new villain and retains some humor, it often feels overly serious and reliant on Warner Bros. references. Ultimately, it stands as its own film, appealing to a new generation while leaving behind the nostalgic essence of the ’90s classic.
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